Monday, November 30, 2009

THANK YOU, MISS ZAMOW

I love Garrison Keillor's quip: "The English major is the guy behind the counter who says, 'For whom is the cheeseburger?'." I get the joke, but I'm a grateful English major nonetheless. I started college as a drama major. (I learned how to glide -- not stride -- across the stage. Don't laugh; I'll show you sometime.) Then I switched to Biology (which, unfortunately, included chemistry), and landed at what had been my real love all along: English. English was my first love because of Miss Zamow.


There are four distinct encounters with books and reading that I remember fondly, even excitedly, as I re-trace a literary path that has carried and continues to carry me through the world. The first is the "Alice and Jerry" series in first grade. (Yes, I know, everybody else was reading "Dick and Jane." Any other Alice and Jerry readers out there?) Did I actually find the backyard and neighborhood adventures that they shared with their dog, Jip, to be interesting -- sometimes fascinating? Yes, I remember that I did. But the series really took off for me when their neighbor, Mr. Nightingale, was introduced. He traveled all around the globe, and (except for the fact that I did not yet know the word) seemed very "worldly-wise." I hope that I was an advanced child, but I think the phonics-heavy (and, yes, fun) three-to-five-word sentences of "Alice and Jerry" taught me how to read.


The next is my mother's bedside reading of Tom Sawyer. I think I was eight. What is there to say? What eight-year-old boy wouldn't love this adventure. At that age I surely must have been reading "chapter books," but perhaps I remember this as the first book I "couldn't put down." And it undoubtedly forms a memory because of the comforting presence and voice of mom, there at my bedside. I entered parenthood with the organic understanding that this is what a parent does, as surely and naturally as providing food and shelter: He reads to his child. Especially at bedtime. When I talk to parents about this, I always say, "Dads, don't let mom have all the fun." (More about reading with our kids in a later post.)


In ninth grade English class we read Moby Dick. Now, I just re-read Moby Dick and found it magically wonderful, but it caused me to wonder, "Did we really read the unabridged Moby Dick in ninth grade?" I don't know, but it worked. (Plus, I liked the teacher. She was kind of pretty and was known among us kids for never wearing the same outfit twice -- ever. I guess at some point someone started to keep track.)


Miss Zamow (zay-mo) wasn't pretty. (Sorry, Miss Zamow.) She was simply a great teacher. An English major should try to avoid these cliches, but she opened the world of literature to me. I can't cite the date, but I can see the second-floor corner classroom at Rapid City High School and I know the setting and circumstance: It was a circle of about twelve chairs, and in that circle we talked about the book we were reading, The Return of the Native.


That's it. Sitting in a circle and talking about a book (with Miss Zamow a part of the circle). That was something I'd never done before, and I've loved it ever since -- sitting in a circle and talking about books. Perhaps two other contributing elements: It was Advanced Placement English, so we had the class size and ratio (not to mention, interest) that every classroom at every level should have, and Miss Zamow loved the books she was introducing to us, and, although she was rather non-demonstrative, she loved being part of the conversation and she liked us.


(She had a wit that was so dry as to be non-existent, but it was there -- always delivered with a completely straight face. Once, I made a wisecrack and she said -- straight and unsmiling as ever, "I see we have a clown in our midst," and then continued on to the next point. Of course that made me love her all the more.)


I was exposed to a tremendously talented and lively faculty of English professors at the small midwestern liberal arts college I attended -- and many more circles. But I never experienced a more enjoyable or instructive class than AP English with Miss Zamow. Did I ever, once, go back to Rapid City High School and tell her? Of course not.


I would love to sit in one of those circles with you (perhaps now with a glass of wine) and hear stories of your "Miss Zamow." Alas, our virtual circle will have to do.


(P.S. Have you observed, as I have, that our best teachers often have some sort of eccentricity about them?)

Sunday, November 29, 2009

WHAT CAN I SAY? IT'S BEEN A SLOW BLOGDAY

I recently saw a movie that ended -- as is the fashion these days -- with a voice-over of a pop song. It was a good enough song (Van Morrison), but I actually prefer the old-fashioned approach of using a song written especially for the movie. However, this is not a rant. The end-of-movie song reminded me of the time I was meeting in my office with a young couple, working on the plans for their wedding. We were going over the order of service and the bride said, "Here's where we want the Robin Hood song." What she meant was the then-popular "Everything I Do I'll Do It For You," by Bryan Adams. It had been voiced over the action of Kevin Costner's "Robin Hood" movie. But I'm a child of the fifties, and the "Robin Hood song" meant something different to me: the theme song of the old Robin Hood TV series, of course! I leaned across my desk and said (singing), "Do you mean,

Robin Hood, Robin Hood, riding through the glen;
Robin Hood, Robin Hood, with his band of men;
Feared by the ri-i-i-ch! Loved by the p-o-o-o-r!
Robin Hood, Robin Hood, Robin H-o-o-o-d."

There was the briefest silence in the office as she replied, somewhat shakily, eyes wide, "Uhhh, no...."

It was one of my finest pastoral moments in wedding planning.

Saturday, November 28, 2009

REQUIESCAT IN PACE: TWO VARIATIONS

Rest In Peace, I.

Osmo Vanska conducts the Minnesota Orchestra
I love a good requiem. Most choral requiem masses have been commissioned by the wealthy or powerful and are now presented primarily as concert pieces. But why should the flower of liturgical expression be reserved for the wealthy in a church whose Lord so loved the poor. What's more, according to the Roman Catholic encyclopedia, New Advent: "...Requiem Masses may be celebrated ... for one, or several, dead, in particular, or for all the dead in general." So when the day comes, I'd like a requiem celebrated for me. You can be included, too -- I'm not being exclusive here.

The great barrier to celebrating a choral requiem for every Tom, Dick, and Mary is the cost: an orchestra with conductor, a choir, a sizable sanctuary or hall. So here's my idea: A subscription requiem. Everyone who seeks to be remembered in such a service pays an annual subscription fee. In the year of one's demise, one's name is included in the listing of those for whom the mass is celebrated. The particular requiem (Mozart? Rutter? Verdi? Mahler? Durufle? Ellingboe?...) would be selected each year by the conductor. Names would be listed in a dignified manner in the concert program. As to liturgical celebrants, in the spirit of ecumenism it would be sufficient simply to offer a concert performance free of clerical involvement.

I have no clue as to the economics of this. If the subscription group would not be large enough to support this plan on the local level (i.e. The Minnesota Orchestra), perhaps it could be carried out on a national scope by one of our larger-city orchestras: "The Annual Subscription Requiem of the New York Philharmonic," for example. As to room in the hall for attendance by the loved ones of the departed? It'll work out somehow. (And there's always PBS.)

These funereal reflections remind me of a quote attributed to Mark Twain, supposedly delivered at the beginning of his public lectures: "George Washington's dead..., Abe Lincoln's dead..., and I ain't feelin' to good myself!" But, honestly, I'm feeling fine; which gives me time to write my letter of suggestion: "Dear Maestro Vanska...."


Rest in Peace, II.


While watching Princess Di's funeral televised in all its splendor from London's St. Paul's Cathedral all those years ago, an idea came to me: The Church of England should conduct and broadcast just such an extravagant service once a year for a homeless (perhaps nameless) person who has died without the care of family, friend, or church. I mean pull out all the stops! (In this case, quite literally.) This would be satisfying on at least two levels: 1) It would allow the world to see liturgical worship and music at its deepest and finest once a year, and 2) It would serve to counter the notion that the Anglican Church pays an overly servile obeisance to royal and societal hierarchy. It would be an act of Christian witness and outreach.

The historic Cathedral of Our Merciful Saviour,
Faribault, Minnesota. "The First Cathedral"
I have many times taken up my digital pen to write the dean of St. Paul's to suggest this idea. What has stopped me? I'm a hypocrite: Why are we not doing this in our own church? Thus, I have recently suggested to our community ecumenical association that we should cooperate in conducting such a service -- at the Episcopal Cathedral, of course, because the Anglicans do it up right! (So now I feel liberated to write to
St. Paul's: "Dear Reverend Dean...")